Ron Lawrence, Michael Suchorsky (drums), Dave Soldier,
Laura Seaton, Mary Wooten
We were called, and then called ourselves, as "The
Ramones of classical music". Active 1985 - 1995, and we
now very occasionally reconvene for recording sessions
and shows with rock groups (over the past few years for
Van Dyke Parks, Jessie Harris, Guided by Voices, and
Lambchop).
A compilation is in the works, including a quartet
written for Ken Butler's instruments, called "Bambatta
Variations" (1991) and Quartet #3, "The Essential:
Fourier Transformations" with brainwaves.
Soldier String Quartet, 1989
Mary Wooten, Ron Lawrence, Laura Seaton, Dave Soldier,
photo Tom Caravaglia
Soldier String Quartet, 1993
Dawn Avery, Dave Soldier, Regina Carter, Ron Lawrence,
with Ken Butler's string quartet instruments. photo Ken
Collins
Inspired by the Concord Quartet and the Beastie Boys, we
performed at rock clubs like CBGBs and experimental
festivals in Europe using a drummer and electricity. We
stood to play and memorized the music, and would stamp
around like punk rock and hiphop groups ; we
occasionally played at Lincoln Center and normal places
for chamber groups.
My works for quartet are highly syncopated and
contrapuntal with ideas from rock, R&B, and blues as
well as the European tradition. We performed my
arrangements of originally unnotated music, like Delta
Blues and Sly Stone, and presented new composed music by
a broad range of composers, premiering over 100
compositions.
Soldier String Quartet,
1993
"touring version" with Jason White,
Tiye' Griaud (singers) and Dawn Avery, Dave Soldier,
Regina Carter, Ron Lawrence, photo Ken Collins. After
Jason's sudden death at age 23, Jimmy Justice and Sam
Butler (5 Blind Boys of Alabama) sang with use.
We toured as John Cale's "band" from 1992-1998 playing
my arrangements of his songs, often with BJ Cole on
steel guitar.
We also worked with Teo Macero, Amina Claudine Myers,
Leroy Jenkins, Tony Williams, Van Dyke Parks, Guided by
Voices, Ric Ocasek (the Cars), Bob Neuwirth, Robert
Dick, Jessie Harris, Lee Renaldo (Sonic Youth), Shelley
Hirsch, Joanne Brackeen, Elliot Sharp, Zeena Parkins,
Fred Frith, Myra Melford, Lenny Pickett, Jonas Hellborg.
For a couple of seasons we were the quartet for the
American Festival for Microtonal Music and premiered
works in the "chamber " vein by Iannis Xenakis and Ivan
Wyshnedgradsky.
A three CD compilation of pieces by Dave Soldier
performed by the PubliQUARTET and the Soldier String
Quartetrecorded 1992-1998
The original punk classical repertoire, spanning deep
Delta Blues of the 1920s to the far future, this triple
CD features three hours of Dave Soldier?s compositions
played by the PubliQuartet and his Soldier
String Quartet with a wild range of guests.
CD I PUBLIQuartet with Satoshi Takeishi CD2 Soldier String Quartet
Laura Seaton, Dave Soldier, vln; Ron Lawrence, vla; Mary
Wooten, cello; Michael Suchorsky drums CD3 Regina Carter, Dave Soldier, vln; Judith
Insell, vla; Dawn Avery, cello, Tiye? Giraud, vocal
& percussion, Jimmy Justice, vocal
Inspect for Damaged Gods
2004 release recorded 1992-1998
1.Preachin'
Blues (Robert Johnson, arranged Soldier)
2.Bo Diddley (Ellis
McDaniel, arranged Soldier) 3.Here Comes the King (Raymond Scott, arranged
Soldier)
4. Michael Callen(Soldier)
5. Sontag in Sarajevo (Soldier)
part I Fluor Phosphor
Lumen and Candle
part II Dance for the Tetragrammaton 6. In Time (Sly
Stone, arranged Soldier) 7. Ugly (Robert Pete
Williams, arranged Soldier) 8. N'Orleans (Soldier) 9. Boogie
on party people(Soldier), a story of an
incarnation of God in Rhippdur, India 10.Marsh
Fugue (Soldier: manipulated natural sounds -
unlisted on jacket)
Players: 1st violin: Regina Carter on 2, 3,5,6,7,8,9; Todd
Reynolds on 1 & 4, 2nd violin, Dave Soldier and guitar
on 5, Judith Insell (Viola), Dawn Buckholtz Avery (cello),
Tiye' Giraud (vocals & percussion on 2,6,7,8,9), Jimmy
Justice (vocals on 4,8,9), Richard Bona (bass on 9), Laura
Cantrell (vocals on 4), Rebecca Cherry (violin solo on 7),
Jonathan Kane (drums on 9), Anne DeMaranis (accordion on
5), Valarie Naranjo (balophone on 9)
Arrangements by Soldier of "classic jazz" pieces that are
not typically performed. 1. India (John Coltrane)
2. Gazzelloni (Eric Dolphy)
3. Water Babies (Wayne Shorter)
4. Machine Gun (Jim Hendrix)
5. Something Sweet, Something Tender (Eric Dolphy)
6. Sometimes, Perpetually (Robert Dick)
7. Three Wishes (Ornette Coleman)
Robert Dick, flutes; Regina Carter, violin; Soldier,
violin, metal violin, banjo;, Judith Insell, viola; Dawn
Avery cello; Mark Dresser, Kermit Driscoll, Richard
Bona, bass; Steve Arguelles, Ben Perowsky, drums,
Valerie Naranjo, percussion, vibes
She's
Lightning When She Smiles
1994 NewTone Records
out of print, a few copies available from Mulatta Records
Dave's blues transcriptions by Soldier for small big band
recorded live at a concert at Art at St. Ann's in Brooklyn
Players: Vocals: Tiye'Giraud, Jason White, Napua
Davoy, Bobby Radcliff, violins: Laura Seaton, Dave
Soldier; Ron Lawrence, viola, Mary Wooten, cello, Brad
Jones, bass, Myra Melford, piano, Leroy Clouden, drums,
Lenny Pickett, saxophone and clarinet
Tunes: 1. Another Man Done Gone (Vera Hall)
2. Future Blues (Willie Brown)
3. Clouds in My Heart (Muddy Waters)
4. Black Snake Moan (Blind Lemon Jefferson)
5. Prelude (George
Gershwin)
6. Bobby Radcliff Intro
7. Moanin' at Midnight
(Howlin' Wolf)
8. Uncloudy Day (Staples Singers)
9. Moon and Stars (Louise Johnson)
10. Sugar Momma (John Lee Hooker)
11. Somebody Help Poor Me (Robert Pete Williams)
12. Cypress Grove
(Skip James)
Laura Seaton, Dave Soldier (violins), Ron Lawrence
(viola), Mary Wooten (cello), Michael Suchorsky (drums);
on 4, with Amina Claudine Myers, vocals and
piano, Luis Bautista conga, Napua Davoy vocals, Americo
Mendez bass, Steve Napoleoni chanting; on 5,
Kevin Norton congas, Soldier guitar
Soldier String Quartet Sequence Girls
1988
Rift Records, LP only, a few copies available
through Mulatta
Laura Seaton, Dave Soldier (violins), Ron
Lawrence (viola), Mary Wooten (cello), Ratso Harris
(bass) Michael Suchorsky (drums)
Other recordings with the Soldier String Quartet
John Cale and Strings(1992, Risc Disc)
arranger, violin with Soldier String Quartet John Cale and Bob Neuwirth, Last Day on
Earth (1994, MCA) arranger, violin with Soldier
String Quartet John Cale Walking on Locusts (1996,
Rykodisc) arranger, violin with Soldier String
Quartet John Cale Eat and Kiss (1997, Rykodisc)
arranger, violin with Soldier String Quartet Nicolas Collins A Dark & Stormy
Night (1992, Trace Elements) violin with Soldier
String Quartet Robert Dick 3rd Stone from the Sun
(1993, New World) arranger, violin with Soldier
String Quartet Grupo Wara Malombo (1990 South American
release) arranger, violin with Soldier String
Quartet Guided by Voices Do the Collapse (1999,
TVT) arranger, violin with Soldier String Quartet Guided by Voices Hold on Hope(2000, EP,
TVT) arranger, violin with Soldier String Quartet Guided by Voices Isolation Drills
(2001, TVT) arranger, violin with Soldier String
Quartet Jessie Harris While the Music Lasts,
(2004, Virgin) arrangements by Van Dyke Parks, with
Soldier String Quartet Jonas Hellborg and Tony Williams The
Word (1992, Island/Axiom) violin with Soldier
String Quartet Leroy Jenkins Themes & Variations
on the Blues (1994, CRI) violin with Soldier String
Quartet Bob Neuwirth and John Cale, Last Day on
Earth (1994, MCA) arranger, violin with Soldier
String Quartet Phill Niblock / Soldier String Quartet
Early Winter (1994, XI Records) violin with Soldier
String Quartet Christina Rosenvinge Foreign Land
(2002, Lcd) arranger, violin with Soldier String
Quartet Elliott Sharp / Soldier String Quartet
Tessalation Row (1987, SST) violin with Soldier
String Quartet Elliott Sharp / Soldier String Quartet
Hammer, Anvil, Stirrup (1989, SST ) violin with
Soldier String Quartet Elliott Sharp / Soldier String Quartet
Twistmap (1991, EarRational) violin with Soldier
String Quartet Elliott Sharp / Soldier String Quartet
Cryptoid Fragments (1993, Extreme Records) violin
with Soldier String Quartet Elliott Sharp / Soldier String Quartet
Xeno-Codex (1996, Tzadik) violin with Soldier
String Quartet Elliott Sharp / Soldier String Quartet
Rheo/Umbra (1998, Zoar) violin with Soldier String
Quartet Elliott Sharp / Soldier String Quartet
String Quartets 1986-1996 (2003, Tzadik) violin
with Soldier String Quartet
compilations Soldier String Quartet Real Estate
(1990, EarRational) Soldier String Quartet / Elliott Sharp
No Wave (1990, SST) Jonas Hellborg Illuminations violin
with Soldier String Quartet (1991, Axiom) Soldier String Quartet State of the
Union (1992, Arrest)
film scores Special Friends (Music by Teo
Macero for ABC-TV) violin with Soldier
String Quartet (1988)
Piece from the Word, Tony Williams (!) drums, Jonas
Hellborg bass and arrangement, Soldier String Quartet
I always loved syncopation and counterpoint, as a child
from funk and rhythm and blues, later in medieval and
baroque music, salsa and flamenco. I've tried various
ways to design overlapping rhythms, influenced by
theorists Bernard Ziehn Josef Schillinger, Heinrich
Schenker, and by figuring out how syncopations arise in
R&B, salsa, and flamenco. I was really moved by
Conlon Nancarrow and Gyorgi Ligeti's piano pieces, and
tried to find a different path than what they explored.
Nancarrow was particularly inspiring.
The Soldier String Quartet let me explore new rhythm
juxtapositions, and I started it in 1985 because string
players could read harder rhythms that guitarists,
because I was going through a Haydn worship phase,
because I played the violin, and because the string
quartet seemed so quaint that the idea was funny.
We introduced/experimented with amplification, moving
around on stage (inspited by the Beastie Boys and gospel
music), memorizing the parts, and playing American
rhythms. I put in a lot I learned from playing in rock
and R&B bands, using a drum kit to help rhythmic
polyphony, and I wrote the drum parts: fortunately
Michael Suchorsky, long-time drummer for Lou Reed and
Everyman Band, is the rare drummer who can play written
parts and make them sound natural.
The original group was Laura Seaton and me on violins,
Drew Tretick on viola, Jane Scarpantoni on cello, Bruce
Ditmas on drums. We soon added Ratso Harris on bass, and
Ron Lawrence joined on viola, Mary Wooten on cello, and
Michael Suchorsky on drums. Around 1992 Regina Carter
joined on violin followed in 1996 Todd Reynolds, and
Martha Mooke and Judith Insell on viola, and Dawn Avery
on cello. Around 1992 we added two singers, especially
on tours, Tiye' Giraud and Jason White, and after Jason
suddenly and shockingly passed at the age of 23, Sam
Butler from the Five Blind Boys of Alabama and later
Jimmy Justice would sing. Jimmy also passed away in
2008.
In the early 90's we would often tour Europe with the
two singers and four strings, as the groupor on a
package with John Cale. At various times and projects
other players included Lisa Terry, Mark Feldman, and
Marlene Rice on violin, Mark Dresser, Kermit Driscoll,
and Richard Bona on bass, Kevin Norton and Samm Bennett
on drums. We collaborated a lot with Elliott Sharp,
Robert Dick, Nicolas Collins and John Cale, and
occassionally with Teo Macero, Amina Claudine Myers, the
American Festival of Microtonal Music, and many others.
One project I plan to finish is a cycle of full "string
quartets" I began with Quartet #1, The Impossible,
which is recorded on Sojourner Truth. I wrote a Quartet
#2, Bambatta Variations, especially for a
surreal quartet built by Ken Butler out of found object
but that can be played using normal techniques; we
premiered it at Merkin Hall but never recorded it. I've
also written in part Quartet #3, The Essential,
based on the idea that you boil down a regular quartet
and display it as a Wester blot, a way biologists
indicate protein makeup of a cell and get at it's
"essence" - the music is highly syncopated and an odd
twist to Schoeberg's second quartet; it has very hard
but was premiered in 2009 at the Issue Project Room in
Brooklyn, with the players wearing EEGs.
Beyond my own compositions for the quartet, I always
asked composers who presumably would never otherwise
write music for a string quartet to do so. We premiered
many works by Elliott Sharp, and pieces by Leroy
Jenkins, Fred Frith, Phill Niblock, David Linton, Zeena
Parkins, Nicolas Collins, Jonas Hellborg (with Tony
Williams on drums!), Van Dyke Parks, and many others
that I will add when I go through my notes.
The other goal is to arrange polyrhythmic music that
had not been notated. I figure it out as well as I can,
and force the players listen to the originals for
phrasing - that's hard with classical freelancers! We
started with Delta Blues on our first LP by Muddy
Waters, Skip James, and Robert Johnson. Trying to listen
very carefully helped me develop a style, and helped the
group phrase in American music. We released a live album
of blues arrangements from Art at St. Ann's. I expanded
arrangements to pieces by Sly Stone, Jimi Hendrix, Earth
Wind & Fire, Tito Puente, and lots of others. We
made two CDs of my arrangements for quartet with the
trailblazing flutist Robert Dick, one of Jimi Hendrix
pieces, and the other of lesser known jazz pieces by
Eric Dolphy, Wayne Shorter, John Coltrane, and Ornette
Coleman.
I arranged Paris 1919 by John Cale, whose
music I identified with in high school as someone else
who didn't differentiate "classical" and "pop" styles;
John heard it and the Quartet became his backup group
from 1992-96. This led to the quartet playing and/or
arranging for a lot of great pop groups and producers,
including Guided by Voices, David Byrne, Ric Ocasek,
Lambchop, Van Dyke Parks, Jessie Harris, Bill Laswell,
Lee Renaldo and not least, Teo Macero.
One highlight in this direction was with Cale in 1993 at
NYU where Lou Reed and Sterling Morrison showed as a
first surprise reunion of the Velvet Underground - John
asked me to arrange some old tunes and some from his
recent duo with Reed, but wouldn't tell me why - though
Mo Tucker missed her train and didn't get to the concert
in time, which prevented it from being the "complete"
reunion concert.
REVIEWS
these are all from the New York Times: with time I'll try
to add more from them and other sources
Jason White, gospel and avant garde vocalist, passed
away on Thursday night, September 8, 1994 from
complications of AIDS. He was twenty-three years old.
Equally at home in the classical avant garde and gospel
styles, Jason toured Japan and Europe with the
classical/rock musician John Cale, jazz singer Diane
Reeves, and as a member of the Soldier String Quartet.
In gospel music, Jason sang with Rejoicensemble, Ashford
and Simpson, Reverend Ike's Choir, and Lavender Light.
He was a featured tenor soloist with the Manhattan
Chamber Orchestra as the soloist in Mark Twain's
War Prayer, a cantata written for him by Dave
Soldier, on the The Apotheosis of John Brown,
and with the Soldier String Quartet on She's
Lightning When She Smiles.
Jason attended the Duke Ellington School of the Arts in
Washington DC, and was awarded a full scholarship to the
Manhattan School of Music. His teachers were Allen
McBride, Edward Jackson, and Dorothy Dash. On a concert
last August at Lincoln Center Out-of Doors, Times critic
Alex Ross praised Jason's "rich delivery".
Jason's Going Home ceremony will be on Saturday,
September 17, at the Guiding Light Greater Refuge Church
in Washington, D.C. He is survived by his mother,
Virginia Tyson, of Silver Springs, Maryland.